Nearly a quarter of a century ago a rumour ran around perfume circles reporting the imminence of a divine new scent; a wonderful fragrance, the like of which had never before been smelled nor seen. Presently, like the Firebird or Phoenix or some other airy creature of legend this miracle came to rest as an Exclusive Presentation in the marble halls of Harvey Nichols. We all rushed round, in our lunch hour or coffee break, to try it. To some, the premise of Green Tea – an “eau parfumee” by Bulgari – was somewhat bathetic but the effect was staggering, a revelation. You must remember this was the heyday of the first cough-candy aquatics; the time of the Escape riots at Harrods; and the blazing crimson sunset of the hideous ’80’s power scents, then slipping below the perfume horizon in a sea of blood. Green Tea was all delicacy and elegance; it was slinky, lissom and diaphanous while its contemporaries were brash, loud and angular. And it cost a fortune.
As far as I can recall this was the first time that tea had been presented in a scent, or, at any rate, had taken centre stage as an perfume accord. Green Tea set an amazing precedent. Like some hermaphrodite chthonic deity it became the Father & Mother of hundreds of descendants. Green Tea was the progenitor of a discrete and very specialised new fragrance family which also infiltrated candles; room scents and diffusers; bath gels and creams. Maybe Bulgari’s influence was so tremendous because Green Tea hit upon the fact that tea is a paradigm of our extraordinary society: this struck a instant if unconscious chord with the public.
For, however you look at it, tea presents itself as a paradox as mad and contrary as our own modern lifestyle. Tea is rarified, refined and exotic – and, simultaneously, a staple food of the thrifty, the modest and the down at heel. Tea – like biscuits – keeps you going. Sweet strong tea and a couple of aspirin is still one of the best and cheapest quick cures for a nerve storm. Weak black tea is the banter’s friend, and soothes an uneasy digestion. Tea and sympathy: it still comes cheap enough. The tea ceremonies of the Far East and the subtle blends of epicure groceries are in another world from those drudging toilers “weary of the tea leaves in the sink”¤. Yet the common source is the same, those camellia bushes in the damp mists of an Asian hillside – “on your far hills/ Long cold and grey…”. Every cup of tea is individual; every blend of leaf offers different interpretation of the drink. A perfect parallel with perfume, no?
Tea has been Britain’s favourite beverage for three hundred years: in that time it has developed from the epitome of rare luxury (the locked mahogany and ivory caddy) to the role of universal friend and comforter (the painted Typhoo tin: Free Gift With Purchase). Tea is a stimulant and the warm curvy rounded pot – sometimes wearing its own little knitted or quilted jacket – is the hearth goddess that gives it birth¤¤. Over the centuries tea became a necessity rather than a treat, but it has always been able to soar again when necessary to the heights of refinement. Furthermore it has a compelling touch of the weird. The skilled seer can read the future in the leaves. (Green Tea was also the title of Sheridan Lefanu’s most famous tales of the supernatural – a tale of delusions and apparitions later riffed by Ruth Rendell in The Speaker of Mandarin).
All these contradictions and ambiguities add to the allure of tea in scent. You don’t have to follow these trains of thought, of course. You may choose tea fragrances purely on account of their fresh clarity; their delicious contrast to smoky orientals or waxen florals. But their variety is infinite, their boundaries generously wide.
There are worlds of difference between the icy-cold freshness of SILVER MOUNTAIN WATER¤¤¤; the dark bosky richness of IMPERIAL TEA with its steamy jasmine vapours; and the tiger-stalkers’ greedy picnic sketched out in FOUGERE BENGALE. Don’t forget to try YERBAMATE with its bitter – almost sour – notes of South American mate and its visions of huge open pampas of grasses, herbs and starry camomile. What a contrast to the pink and mauve transparency of DON’T CRY FOR ME: an Argentine vision of cherry flowers and heliotrope floating in jasmine tea. A personal favourite – MYRRHIAD – adds absolute of black tea to unctuous myrrh, liquorice and vanilla. This last gummy gorgeous fragrance is a Pierre Guillaume creation for Huitieme Art. Msr Guillaume is a genius with tea. Consider his three blissful MATALE variations.
Les Senteurs is a veritable Tea House of the August Moon: model the slim grace of ASIAN GREEN TEA; Cloon Keen’s tailored and classy INFUSION ASSAM; and the glassy glittering EAU DE CAMELLIA CHINOIS which explores the austere succulence of the living plant from which the tea leaf is plucked. If you’re seeking the most recherche of pale and faint exotica, OOLANG INFINI with its mouthwatering list of accords – blue tea, tobacco flower, blond leather – may well prove your heart’s desire.
And then …..and NOW!….we proudly add Mona di Orio’s glorious BOHEA BOHEME to the array on the tray. For our ancestors the bohea blend – ‘wu-yi’ in its native China – was synonymous with tea; it was the only tea; the Ur-tea. That’s what they’re all drinking in those stiff eighteenth century conversation pieces; sipping from porcelain bowls and making play with their fair hands and lace cuffs. Queen Anne¤¤¤¤ was addicted both to bohea and to brandy: the latter often being disguised in the former. That’s how I think of this smoky black tea: being sipped in the luxurious cabinets and boudoirs at Hampton Court or St James’s Palace. BOHEA BOHEME evokes tiny intimate rooms draped in silk, and filled with flowers and temperament and hysteria. Odours of pot pourri, incense, dark polished beeswaxed wood, amber and musk are enhanced and flavoured with this precious and mysterious new drink from the East. A window is thrown open – stopped with a cushion to ward off the perilous fresh air – and scents of poplar and box waft in from the parterres; smells of fir balsam, oak, bay and smoked juniper.
Another cup, dear? And whilst you’re enjoying that, why not read our intriguing interview with the creators of Bohea Boheme, Fredrik Dalman and Jeroen Oude Sogtoen? Stimulating and highly digestible.
¤ Louis Macneice: Death of An Actress, 1940.
¤¤ remember the cosy mice in Two From a Teapot? And note the way some folk nurse a teapot as a substitute for human contact; warming – to coin a phrase – both hands before the fire of life.
¤¤¤ a quintessential Creed masterpiece, SMW was also released in 1992: another tea scent in the van of fashion.
¤¤¤¤ “Here thou, great Anna!whom 3 realms obey,
Dost sometimes counsel take – and sometimes tea”
Alexander Pope 1688-1744