As children in the faraway Midlands we sang a nonsense song about the Marble Arch into which you could slot the name of any celebrity of your choice:
“Around the Marble Arch
X used to march
He tumbled into a box of eggs
All the yellow ran up his legs..”
So when I finally got to touch the beautiful if slightly foxed chunks of white Italian marble I still saw all those spattered yolks in my mind’s eye. It’s a funny old thing and tunnelled with little rooms, apparently. Marooned in the middle of the traffic since Park Lane was widened over half a century ago the Arch is now scratched by graffittists and, as the London papers keep pointing out, is on occasion used as a loo.
Even before it became a traffic island Marble Arch was a displaced wanderer. It started life in 1827 as the gateway to Buckingham Palace but was brought up in sections to Marylebone when the Palace was enlarged, to be rebuilt as the ceremonial entrance to the Great Exhibition held in Hyde Park in the summer of 1851. The bronze statue of George IV – that heavily-perfumed consumer of cherry brandy, opium and pork pies – originally designed to ride atop the Arch now prances in Trafalgar Square.
May 1st 1851 was the Marble Arch’s finest hour: Queen Victoria in pink satin and lace swept through in her carriage to open the Crystal Palace ( erected near to where the Albert Memorial now stands ). The great glass conservatory was filled with birds, living cedars, vast organs and choirs whose voices could scarcely be heard for the sheer size and scale of it all. Prince Albert, whose brainchild the exhibition was, stood resplendent in scarlet gazing at the tribute of the Empire; a mysterious Mandarin in blue silk and peacock feathers who was later said to be someone’s cook made the ritual kow tow.
And perfume was present. Fragrance was featured. Our Grossmith friends won medals. Eugene Rimmel’s huge baroque fountain of living scents was one of the star attractions during the six month run of the show. Perfume has always drawn the crowds: renew your own acquaintance Les Senteurs.
Image: Wikimedia Commons